Typefaces to Consider While Creating Font Combinations


Serif typefaces date back to the late 1700s and were created for print reading. A serif is a thin stroke or line added to a character. Serifs give visual clues that an observer can easily follow. Serif fonts improve the efficiency of text scanning, particularly for lengthy passages of text, such as those found on book pages. Early computers had poor monitor resolutions, which made serif-based typefaces difficult to see. On the other hand, graphic designers have access to a wide variety of serifs thanks to today’s high-resolution monitors. Always use a sans serif typeface in conjunction with a serif font. Serif fonts are typically too similar to one another, which results in problematic font pairings. Serifs offer a great deal of versatility. They work well for headers and body material since they are readable in both tiny and large font sizes.

Sans Serifs

Sans serifs don’t have the extra lines that accent serifs. They can be coupled with a serif in the headers or utilized on a lesser scale for paragraph or body text.

Display Fonts

Display typefaces are useful when you want to draw attention to yourself. They frequently feature intricate letterforms that might be thin and sparse or large and aggressive. Because of their degree of stylization, display fonts work well for headlines and other areas of a design where a small quantity of text needs to make a large impact.

Monospaced Typefaces

In a monospaced font, each character has the same width. They are distinguished from typefaces with varied widths by this fixed horizontal measurement, which lends them a strong feeling of uniformity. Monospaced typefaces were popular in the early days of computers because of their ease of use and ability to appear decent on early low-resolution displays.

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